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Monday, February 27, 2006

Veteran Sound Designer Mike Wood Keeps Sync with VK

VK brings big speed to the audio post process

Virtual Katy today announced that VK has been used on a number of high-profile projects by veteran sound editor Mike Wood. Working in sound post since 1983, Wood uses VK to accelerate the post process for every project he conforms including Wimbledon, Opal Dream, and Decameron.

Mike was trained in sound at the BBC and has had a varied career in radio, music, and television postproduction working on over 30 film and television projects as a sound editor/designer, including: "The White Countess" (James Ivory), "Wimbledon" (Richard Loncraine), "Hotel Rwanda" (Terry George), "The Wings of the Dove" (Iain Softley), "Tea with Mussolini" (Franco Zeffirelli), "Road to Perdition", (Sam Mendes), "Ordinary Decent Criminal" (Thaddeus O'Sullivan), "Tomb Raider" (Simon West), "The Four Feathers" (Shekhar Kapur) and "Anita and Me" (Metin Huseyin).

"The VK process saves the sound editorial team precious time," comments Mike Wood, sound designer and editor. "It gives us that space we need to deal with the on going and last minute picture changes in a sane manner."

Friday, February 24, 2006

VK Realigns Sound Design Process for Mackenzie Cutler

The VK audio post assistant provides mass acceleration for New York's top commercial house

Virtual Katy announced that Mackenzie Cutler has implemented VK into their post facility, greatly accelerating the audio post process. A leading offline editorial boutique for high-profile commercials including the top rated Super Bowl XL FedEx spot, Mackenzie Cutler's impressive client list includes Sprint, Skittles, Starburst, Miller High Life, Staples, Time Warner Cable, Master Card, and Burger King. The Mackenzie Culter sound design team uses VK for keeping up with the constantly changing and evolving picture.

"VK is so simple to use. It really cuts down on the time spent conforming picture changes," comments Lewis Herrin, sound designer, Mackenzie Cutler. "We did a musical spot for Bellsouth, called "Dancing Plumbers". With VK, we were able to keep the sound design in sync with the music track. Without VK keeping sync with the music track, it would have been a nightmare to re-sync all the sound design to the new music edits."

Thursday, February 23, 2006

EditShare to Showcase Collaborative Editing Solution For Mixed Environments At HD Expo

Company to demonstrate finishing of uncompressed HD projects using 10 Gigabit Ethernet technology

EditShare will attend HD Expo West held at the Los Angeles Center Studios in the Beaudry Building on March 9th 2006. EditShare will showcase its collaborative editing solution for mixed resolution workflows, and will demonstrate the finishing of uncompressed HD projects using 10 Gigabit Ethernet technology.

Using EditShare in conjunction with industry-standard NLEs and compositing applications, post production facilities, news organizations, corporations and schools can store and share a variety of HD formats including HDV, XDCAM-HD, DVCPro HD, Avid DNxHD, and uncompressed HD. EditShare systems offer a cost-effective and secure workflow solution designed to help organizations enhance their creativity and streamline the content creation process. EditShare allows large groups of editors to capture into and share a common pool of media files, while guaranteeing that unauthorized individuals can never interfere with, damage or erase media once it has been shared.

Boris Blue Public Beta Now Available

Try Boris Blue 1 now! Boris Blue is a 3D compositing and motion graphics solution based on the award-winning Boris Red plug-in. This standalone application provides unprecedented 3D creativity with real-time performance to accelerate your workflow. Although it hasn't yet shipped, Blue already won a Vidy Award at NAB 2005 in recognition of outstanding achievement in the advancement of the art and science of video technology.

Want to be one of the first to try Blue? Boris FX is offering a public beta of Blue. This free download is your chance to try this exciting new product and provide us with valuable feedback. Your participation is important. So, don't delay. Download now and send us your feedback before the public beta build expires April 1, 2006: http://www.borisfx.com/products/blue/beta.php

Blue is a Windows-only application that requires specific OpenGL cards. Go here to see if your system supports Blue: http://www.borisfx.com/products/blue/requirements.php



Key Blue Features:

* Adjust parameters with interactive real-time playback, including streaming video and audio.

* Powerful new 3D Particles use any shape as a particle while emitters can contain multiple particle types.

* Extrude text, custom splines or imported EPS files with custom bevels and surfaces.

* 3D Model Import preserves individual geometry groups, texture maps, and bump maps.

* Sophisticated Materials include Texture Maps, Bump Maps, and Dynamic Reflection Maps.

* Vertex Deformers provide true 3D warping of 3D objects.

* Image Processors and Generators include keying, tinting and toning, distortions, and transitions.

* Masking, compositing, and motion blur provide precise control and RT performance.

* Hardware Accelerated rendering lets you export High Quality movies FAST.

Monday, February 20, 2006

Editshare Launches Next Generation Collaborative Editing And Shared Media Storage Systems

EditShare will unveil the next generation (version 4.0) of its award-winning EditShare family of systems at NAB2006 (Booth SL1410).

Available by the end of Q2 2006, EditShare version 4.0 will bring users a host of new productivity enhancing features, including:

* Support for uncompressed HD over 10 Gigabit Ethernet. Editors can now finish uncompressed HD projects on the same NAS storage they use for lower resolution editing. With this new development, EditShare continues to prove that it can give users the simplicity of a NAS with the power of a SAN.

* Faster hardware and larger hard drives. EditShare now takes advantage of the latest Hardware RAID cards and hard drives for cutting edge performance. As always, EditShare's RAID 5 architecture achieves the throughput editors need, while also providing efficient data protection without having to rely on wasteful mirroring.

* A new highly-scalable architecture that allows multiple EditShare units to be installed on the same network, and then coordinates the units so they can be accessed easily by editors and administrators as if there were just a single server. This means that EditShare will be able to scale to storage sizes of 100 TB, 200 TB and beyond, while still maintaining all the simplicity and convenience of a smaller NAS.

* A new "Mount Manager" that simplifies connecting EditShare's "Media Spaces" to editors' workstations. A small EditShare "client program" now allows editors to browse all Media Spaces to which they have access and remember what was selected for fast and easy log on next time. In addition, on Windows workstations, editors can select what drive letter to assign those Media Spaces and the system will also remember the selections for next time;

* Support for legacy Avid systems, including Symphony and Meridian-based Media Composers - as well as DS Nitris.

* An enhanced and improved administrator's interface that streamlines set up of Media Spaces and users. Of particular note, is a suite of innovations that make managing accounts and Media Spaces a simple task for large schools and universities that might have hundreds of users who change from semester to semester.

* Support for mirrored Operating System drives for added security



 


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